Sunday, August 12, 2012

Muhammad Ali: A Kiss for 'the Greatest'

Muhammad Ali pop painting
by John Stango
A kiss for 'the greatest'

by Mike Marcellino

When I returned to Singapore in 1979, I was stunned by my Indian-Chinese sister-in-law's story of the kiss she gave Muhammad Ali.  

Dindi Devi, then with the Singapore government, was working at the United Nations in New York City that day. 

As she walked in a hallway, Ali walked toward her.  She quick stepped up to him and planted her kiss on the check of her hero - "The Greatest, and a hero of the world. Listening, I felt like I was there.  To me Ali is more than an icon.  While he is the greatest boxer of all time, he is also a wonderful and courageous human being.  

Ali reminds me of my Sicilian, Italian-American Dad, Tony Marcellino, who my boyfriends called, with great respect,"Big Tone"  Both have fists of iron and hearts of gold.  

Tony's was my "father" since I was a 3-year-old when my mother, Katherine, me and my freckled-faced older brother lived in the Fleetwood hotel on Miami Beach.  It was at The Fleetwood where Katherine and Tony fell in love.

Our mother, Katherine Ricker, and father, Emory Ensor, split up.  I wrote a poem about those days, "Flying Over the Fleetwood" but haven't yet recorded it as a lyrical poetry song.  I have performed it a couple of times on stage in Cleveland and Baltimore. 

Beautiful Katherine, with long flowing light brown hair, was Presbyterian Protestant from Alsace Lorraine on the French-German border.  There was some English and Scotch in there too, but I'm all mixed up.  All I do know is something my dear Aunt Dot wrote in pencil on a  piece of white paper.  I still have it.  

Emory Ensor, with dashing black hair, a sometimes assistant starter at Pimlico and horse racing tracks up and down the East Coast, was a wild Englishman, and Scotch-Irish Catholic. Katherine was a strong-willed woman, and stern, but she had a giving heart.  She was raised like Cinderella by a cruel aunt and uncle.  They made her scrub the floors on her hands and knees all the time while everyone else her age was out having fun in Baltimore City in the Roaring Twenties. 

Katherine was the kind of mother, I never called her "mom," that cooks and cooks great stuff like English meatloaf with mashed potatoes and string beans; the kind that never sits down until everyone else is up from the table.  One thing I know - my father's side is a family of horse people, thoroughbreds.  The proof is my great uncle, Buddy Ensor, the greatest hand rider ever, is a hall of fame jockey. She had never been further than The Maryland Shore in her working class life, but she somehow took us down to south Florida.   Perhaps she'd been down to Hialeah race track and had connections.  That I'll never know, but it would make a good story.

Tony, I always called him with the greatest respect, fought in the ring as a teenager all over the Midwest and East Coast during the years of The Depression.  

Tony Marcellino - he fought light and middleweight for thirty-five dollars if he was lucky.  He told me he often fought under made up names, like an actor.  He had a lot of fights, hundreds, but not too many and turned professional.  Said he was never knocked out.  Not even knocked down.  Once he said  a referee called a knockdown.  He said it was a slip.  I believe him. Tony was as honest as an arrow.  I believed and listened to every word he said.  He was quit a philosopher too.

In Los Angeles I almost seriously took up boxing.  After school I would spar with a friend named Mike Palooka, I swear that was his name, but the comic book character was "Joe."  One day I realized he was a bit quicker with his hands than me.  I kept getting hit in the head. I quit boxing.

My boyfriends in Cleveland always asked me if he was in the Mafia.  We never used the word.  I never asked Tony about it.  I did know where he kept his stubbed-nose thirty-eight revolver - in the top drawer of the dresser.  

I always felt safe with Tony; I never called him Dad. There wasn't a need for that; he was a great father.    He got me a BB gun before I turned four and a few years later a .22 rifle and a .410 shot gun.  He didn't have to teach me how to use them.  The longshoremen from the docks in San Pedro Harbor showed me. I was a natural.   

I'll never forget one New Year's Eve outside our one-room apartment (it was new).  Tony got his .38, loaded it with blanks and he let me shoot it off. Quite a celebration for a eight-year-old.   We made quite a racket that night in Wilmington, California.  But, I must stop here, I'm getting into a whole 'nother story. 

Today, at 70, suffering with Parkinson's disease he was diagnosed with in 1984, Ali is a living legend.  He'll always be remembered for carrying the Olympic Flame at the 1996 in Atlanta, shaking but determined, he climbed those stairs. He won the Gold Medal as a light heavyweight in the Rome Olympics.  He's a recipient of the Presidential Medal of Freedom in 2005. At the London Olympics he was the titular bearer of the Olympic flag.

He'll be also be remembered for his refusal to be drafted into the U. S. Armed Forces in 1967 because he was against the Vietnam War.  He considered himself a conscious objector.  He said it was against his faith, by then Muslim.  

"War is against the teachings of the Holy Qur'an. I'm not trying to dodge the draft. We are not supposed to take part in no wars unless declared by Allah or The Messenger," he told the world.  

At his trial on felony charges of draft evasion, on June 20, 1967, after only 21 minutes of deliberation, the jury found Ali guilty.  The New York State Athletic Commission stripped him of his World Heavyweight title and suspended him from boxing.  I was about to go to Vietnam as a U. S. Army correspondent. 

Ali had the courage of his convictions.

On June 28, 1971, the Supreme Court reversed his conviction for refusing induction by unanimous decision in Clay v. United States. That's justice for you, better late then never.  

I had returned from the war in September of 1968, got out of the Army, turned around after two weeks at home and went back to Singapore to marry Lohmani Dev, daughter of Ram Paul Singh, a devote Hindu and engineer for the British, a gentle and pure Indian and became a newspaper reporter at the Painesville Telegraph in Ohio, east of Cleveland.  I often wrote about of the wounds and sufferings of that war and the courage of my brothers in arms - soldiers, Marines, airmen and sailors.  I wrote many stories about war protests and covered the largest march on Washington in our nation's history in October of 1969.  I sometimes struggled myself, fighting my my own demons, nightmares and flashbacks. Along the way, after the war had finally ended, I managed to capture two national awards for my stories, but not for the ones I did on the struggles of our nation and its people trying to find their conscience.   

Now I find I'm still learning about myself and the heroes of our nation on both sides of the war.  

Ali will always be remembered for how he could "dance like a butterfly" in the ring, "sting like a bee and" rope-a-dope."  But, even more, the whole world knows and admires him for his work in human rights and philanthropy for the betterment of all people. 

In doing this story, I had a hard time nailing down the day of the now historic "kiss" of Devi and Ali at the United Nations.  Internet archives only go back to 1980.  So we're some writing history here.  

For the record - Ali was born Cassius Marcellus Clay, Jr. on January 17, 1942.  His father, a billboard and sign painter, Cassius Marcellus Clay, Sr. was named after the 19th century abolitionist and politician of the same name. 

Now, I know what happened when Muhammad Ali, a different champion of the nation, visited the United Nations.  I have proof of "the kiss."  

On that day Ali was still heavyweight champion of the world - three time champion, he reminded a room full of reporters at the UN.  He told them he'll retire soon and go out on top, which black prize fighters never had managed before.   

"It would be a sin. The worst thing I could do is go back into the ring," Ali told reporters.

It was 1972 on Ali's visit to the United Nations.  The whole story of the day Dindi kissed  Ali  in the halls of the United Nations.  Without hesitation she planted a kiss on the cheek of Muhammad.  I only wish I had been there.

"I'm painting for peace," he told reporters.  

Ali told reporters in the taped interview that he was having a show at The Roseland Ballroomon on West 52nd Street in New York.  It's known as "the greatest ballroom."

"It will be the greatest," he said.

The Roseland Ballroom, New York City

Hey, if I make this story into a poetry song with music, maybe I can perfom at The Roseland some day.

You can listen to the tape now.  This is how the United Nation's website describes the 34 minute interview - 

Boxing legend Muhammad Ali speaks about God, boxing and using his fame for a good cause in this press conference at UN Headquarters.  It's 34 minutes and here's the link to the website.  


Here also is a link to the official Muhammad Ali website.  On the cover he's dodging and weaving against the punching bag.  It's the greatest!

As stories often go, there's a postscript.  Ali was also a pretty good singer.  I was aware of his albums vaguely.  Here's Muhammad Ali doing a cover of Ben E. King's classic, "Stand By Me" he recorded in 1963.


"Stand By Me" by Muhammad Ali




Then "Cassius Clay" wins the World Heavyweight Championship after Sonny Liston fails to come out in the 7th Round.  The fight, February 25, 1964 in Miami, Florida was almost cancelled because Clay was seen with Malcom X in Miami and other cities.

Friday, August 10, 2012

Slam bang 2012 U.S. presidential election coverage leis an comhfhreagraí file Mike


Presidential fund raising chart of, oh, i forgot just who,
money back guarantee

Slam bang 2012 pesidential election coverage

Okie dokie folks this is the first edition (and maybe the only edition) of our slam bang covered 2012 U. S. presidential election election

- pitting

...in the blue (no red) corner Mitt Romney, the challenger some folks call the... we don't know what kind of car he drives (got to be American made, right?)... so let's just call him the Wolverine who drove the family car vacationing from The Cape to his summer home in Ontario, Canada, that is, with his late Irish Setter in a waterless cage lashed to the roof of the car until Seamus the dog threw up, so he stopped at a Pilot or something, hosed down the car, put Seamus back in his cage on the roof of the family car (what's wrong with a summer home in Cleveland?)

...while in the other blue corner (seems like it should be blue; think war games) still standing president Barack Obama, the...wait  our correspondent says the prez has a lot of school choices and may not decide until the two-minute warning.  For now, we'll just call him the X  president from....

See the blue bars (think 2001 A Space Odyssey, the movie....Was the movie made in 2001?.... Is there a video game?...  What?... What else?... Do you think it was made in 1969 or something?...

Democrats are always blue and they have a lot of women behind them. Don't ask.  (B A R A C K), i always wonder if i'm getting that right. i'll go with it.  Don't ask.

And the challenger in the red corner...no, we already did that.

Republicans are always red and they have a lot of not gay rednecks behind them. Forget it (no, we're not looking it up, give us a call).

So, we're gonna cover the waterfront.  The whole kit and caboodle will be in her, Cub Scout honor.  So folks turn off all your electronics, except the one you're on now, reading. 

And, here, this here, (we know cut the words down) is our 2012 Slam Bang Election coverage.  All the scoops anyone can shovel.

Now, at the tale of this report you will encounter two trumped up staged crowd pleasing fund raising mug shoots of the two men.  You can easily tell which one's Obama; he's black, well, sort of, but that's another story.

Look, all you need to know is to white people, we're talking about Americans here, citizens that is, but you don't have to be born here.  You don't even have to vote, most people don't.

Anyway, we're not gettin' into that who was really born where stuff.  Mitt was born in money and Barack was born in Hawaii.

Wait we have a news sat flash coming in on the sonar; ok we've got flash, almost, damn secure coded message; drop the codes; we're not going there, ok, here she is -

W H E R E.... W E R E...YOU...BORN?

..CARRY ON.

Now for the real story.  We know the election is 89 days away but we have already nailed the issue; we're so excited; there's a bunch of issues, but they all wrap up into one nicely, like a wade of hundred dollar bills.  Enough said.

Now, for our arts but not a whole lot of culture on the spot correspondent Mike.

Mike, are you with us (Army jargon)?

Who's that?

Mike?

Wait, are you there?  

Wait, my report isn't titled.  I tried to save it... Are you there?...  I'll just slap something on here.  

If you don't like it, change it...here she goes...




the who is john galt

by Mike Marcellino



Who is john galt?

Right, the who is john galt?

no, i mean,
who is john galt?

Right, gotcha.
right.
listen up.
the who is john galt.

Look,
i don't have time for this nonsense,
give me the straight answer
right now.
your country, your world
the one you have right now
depends on it.
It's your future
dumbo
the election's in November.

Ok,
for the third and last time, dustbuster
this is my question -

Our campaign is in every gear.
We have enough hard cash
to build a road to the moon
made of gold (we have a lot of that too).
We have super packs.
We have more money than you can count.
We have more money than you can shake a stick at.
We have so much money piled as far as the eyes can see.

We're talking billions.

No sticks, no trees here
it's the Nebraska sand hills
nothin' but dust 
this isn't New York City.

Don't you watch television?
get on line, you know?

TV broke down
got laid off.
where were you 
when this thing got started.

You wanna buy us one?
do it before electric power 
shuts us off.
mister, only lines we got around here 'er
electric lines,
clothes lines
and the unemployment line.
Hey, Mr. Businessman
what in blazes 
you doin' here
in that black suit?
it's a hundred ten.

You wanna know 
who john galt is?

The is john galt  
don't like my answer?

You shovel it.

the who is john galt? by Mike Marcellino copyright 2012



Thanks Mike, we hope you will join us real soon again for more, 'er, coverage; not right away though. 

Incognito editorial mumbo jumbo

Now, if there's anything the 2012 Slam Bang Election coverage aims to be is fair.  Fair as the hot air gets in west Nebraska.

Let us say right away, make it perfectly clear, we're for liberty and freedom costs.

(that's another story)

So, what we did, we had a puesdo presidential victory flip, coin toss.  

It was Romney for heads (no brainer, that's Washington the first president, most people do get that right, the rest are toss ups)  

It was tails for Obama.  Democrats are always donkeys.

There's no American coin with an elephant on the top (fact check), but the Republicans are always elephants.    

The 2012 Slam Bang Election coverage big flip to see who wins out on who's photograph goes first (that's on the left, layout talk, don't bother with the fine print) was witnessed by an estimated crowd of exactly zero people 

Mitt won the toss. Mitt won!  Mitt won! It was best two out of three with a quarter from Oregon.  God, our first glitch in the 2012 Slam Band Election coverage.  Screw it.  

All you need to know is the Republicans are always right handed and Democrats are always left. That puts Mitt on the left but he's really right, isn't he?  On the other hand, Barack is right here, but he's really left, right?

Stayed tuned for our never quite up to date ongoing coverage.

All that we can manage to shovel.  

Don't worry, we'll never be up to the minute.  Read the small print.

If you disagree write us a letter.  

If you can't write send us a card, stamped Miami Beach.

That's what it'll come down to.  

Oh no, we gave the election away.




Sorry, this is not quite the right photo but we're working on it.

Come to think of it, to really be fair, the 2012 Slam Bang Election coverage has instantly and arbitrarily decided to even the playing field by NEVER RUNNING photographs of either of the candidates for president.  Just pretend they have brown paper bags over their heads.

Over an out...

Rover, ah shoot, i mean...ah, Roger...



Post game report - 

In the instance of trying to get people out of their beds and into the voting booths, here, take a look at their pictures.

You'll have to guess who's who. (Yes, we already got calls, another glitch in our coverage).  


Look, aliens own our network.


We know what you are thinking.  


Ní chuireann na meáin a fhios ceart ó chlé nó barr ó bun. Sin ceart go leor, is é Mike Scotch-na hÉireann.



Thank God for undo




Q. How many steel workers does it take to change a light bulb?
A. none, if you don't make steel




Wednesday, August 8, 2012

Last flight to the gates of heaven, prose poem by Mike Marcellino



Last flight to the gates of heaven

by Mike Marcellino


Part I  The mission

It all became right clear to me
walkin' the dog to the beach
and back
to the gates of heaven
from mission number three.

i found that liberty, you see
can only be
if you respect other people's
rights.  Otherwise you got
nothin' but monopoly and friction.

i'm walking the dog to the beach,
and back
to the gates of heaven
from mission number three -
sometimes under attack
by dogs runnin' free 'cause their masters don't put 'em on a leach,
even if they have one.  Now i'd like to let my dog Button
run as free as he likes, but then, that wouldn't be liberty
and we'd all end up under attack.

Seems you can only have pure freedom when nobody's around.
If you want to live together without fightin' and wars
we have to all share our liberty.

Button, you see, is a young white Poodle
smart and stubborn as can be.  He doesn't much
mind any of the dogs, 'cause he's on a mission with me, you see.
He's a kind of blood hound without the hound.
Secretly enlisted in the K-9 Corps.
i'm tryin' to keep him sniffing for
ways to peace, so our world can still be.

We're walking to the beach
and back
to the gates of heaven
from mission number three
to meet up with all the critters we see,
maybe make a friend or two.

We can all have liberty to a degree,
and together, i truly believe
we can save their world from
man-made destruction,
if we can just be kind to each other,
from here to eternity
and back,
'stead of killin' each other and our planet.

Headed down through rattlesnake turtle dunes,
things kinda turned the other cheek.
Suddenly ahead i see a whole family
complete two boys and two dogs
on their leaches.

"That's the man you like,"
said one boy to the other.

And, low and behold
the man pulling his dogs on their leashes
retreated
letting Button and me
pass through safely;
they were like Moses parting the Red Sea.

We're still walkin' to the beach
and back
to the gates of heaven
from mission number three
when i spy a mighty subtropical
thunderstorm,
a scary black, silver and grey chain covering the western horizon,
wanting badly to spawn tornadoes.
At this point, we're on the point
and i spy a break in the clouds
maybe a path on our road to glory.
Eyeing the growing storm in some increasing disbelieve;
our luck seemed to have run out -
black-grey funnels tryin' their best
to take Button and me off the planet
to Oz.

Then, starting to think some last thoughts
walkin' the dog back from the beach
through the rattlesnake turtle dunes
it dawned on me,
"What a special dog this is;
he's either got some of that PTSD,
or he's much smarter than me."

The Dylan's lyrics run though my brain -
"Mama, put my guns in the ground
I can't shoot them anymore.
That long black cloud is comin' down
I feel like I'm knockin' on heaven's door"

Thanks, Bob, for those lines from "Knockin' On Heaven's Door,"
i really like that song
from the "Pat Garrett and Billy the Kid" sound track.
Here's your credit -
Copyright ©1973 by Ram's Horn Music; renewed 2001 by Ram’s Horn Music


Part II  Flashback No. 1

On our final run, Button
and me
i'm back in the wars again
thinkin' Audie Murphy
and To Hell and Back from World War II
now i'm back to tryin' to get back
from Firebase Cleveland.

i had no gun,
hardly ever did 
in the Vietnam War
out in the field, not even a tooth brush
or change for a dollar,
not a bite of food, not a C-Ration can
just notebooks, pens and
thirty-five millimeter cameras
wrapped in plastic,
wading through the rice paddies, sometimes chest deep -
my brothers watching my back.


Part III  Button and me

Trying to keep my cool
there was only one thing to do
right now
if Button and me
are gonna make it through the storm.
Start joggin'
and singin' this old song -

"Up the hill,
down the hill,
Airborne,
Airborne,
Army Rangers.
Up the hill,
down the hill,
Airborne,
Airborne,
All the way."
Over and over. I probably messed up the lines
but it's been a long time
before long a half century.

Then i got to thinkin' we just might
make it through the storm.  I geared back to fast walkin'.


Part IV The night i thought i'd died

These threats in the world
get me flashin' back
to the night i thought i'd died
in the sandy
forested wasteland
on the Cambodian border
at a firebase freshly carved out

Automatic weapons fire
all through the no moon night
shootin' the shit with bare chested GI's
filling bags
for some slim extra protection 
against mortar and rocket attacks.
i'm out there, right there where we're not supposed to be
me, some Army engineers,
artillerymen
and a battery
of big guns,  one five five millimeters
on tracks that looked like tanks.
i got dropped off on the convoy
thanks
to the bird colonel and his helicopter.
from my ride on the bird colonel's helicopter.
Letting me out, barely touching down,
that Alabamian, i guess as close as you can get
to my commanding officer, looked at me
without a word, laughing.  i didn't bother to look back.
He wasn't a bad guy.  He just wanted some good photos and stories
out of me
published so he could be a general.

We rolled on to the border
dust almost blinding.
Then right away in some no man's land
the bulldozers scooped up dirt
by the tons
firing hole for the big traveling guns.
"Boom, boom, boom,
blast, blast, blast"
the guns shook and thundered.
(me shooting pictures, taking notes, without ear plugs, close enough to feel the warmth of the steel)
The artillerymen humpin' all day long
unleashing hell out into the triple canopy jungles
where they enemy was supposed to be -
the NVA (the North Vietnamese Army)
and maybe some VC (Viet Cong) guerrillas i suppose
on their way to hit Saigon, and not the bars.
I don't know how many enemy there were out there somewhere,
hundreds,
maybe as many four or five thousand;
it wasn't any use to think about that.

"Who's out on the perimeter?" i asked the smart-assed lieutenant
who shut me out of his APC.
(armored personnel carriers to you folks back home).

"Mercenaries," he said without a grin.
i thought, "Man, what a fix i got myself in."

With dispatch the lieutenant said,
"Start diggin' your hole,"
he said as he went into his APC
probably to start partying before World War Three.
Our guns were silent, even Alpha's Angels
the whole troop had showered, except the reporter,
from canvas bags filled with cold running water
brought in by slicks, Huey D Model gunships,
(They didn't stick around.)
Nothin' like a cold shower to get some relief from the mind sapping heat.

i had little time.  The sun was going down.
Get the size just right.  i had no time to think
of the rectangular, grave sized bunker
to be topped with corrugated steel for a cover.
Be quick. 
At least someone gave me an entrenching tool
or i'd have been buried alive
before the fireworks began
on the night a thought i'd died.  That's another story.


Part V  Gates of heaven

Then, i got to thinkin' we,
Button and me, that is, just might make it 
walkin' the dog to the beach
and back
to the gates of heaven
from mission number three.

So my story to you,
at least the one from today
does have a happy ending.
Button and me, we did make it home.
Back in the day
toward the end
of the ten thousand day war,
all i know, for sure that is 
58,000 and more,
some of America's finest
young men and women
didn't make it back to the world.

These bands of brothers
i always remember.
They boarded the big airplanes
in body bags and boxes
on their last flight of freedom
to the gates of heaven.

Last flight to the gates of heaven by Mike Marcellino copyright 2012

Monday, July 30, 2012

"Chávez, No, Chavez!" - a poetic solidarity

Cesar Chavez speaks to farm workers in Imperial Valley, California in 1979
Photo by Steve Fontanini, Los Angeles Times


Chávez, No, Chavez!
by Mike Marcellino

Only way I could remember this day
was to hold on to cryptic Jesus.
Two words,
all wrapped up in
two words,
cryptic Jesus.

Though it was Sunday, I didn't start out for church,
not right away.
On the way to the beach,
stopped for a beer at Jack's -
a real watering place,
a maze of old low slung
white chipped painted wood
reminding me of Sherwood's Forest
where we drank Saigon tea
with the enemy back in another day.

On the beach it was already threatening.
Right away I encountered a bearded young  surfer
with long tangled black hair
and a goatee.
Waving his one arm," he screamed at question toward me.
"Is it a tornado?"
Looking at me as if I would surely know.

"Where are you guys from?" I asked, curiously.

The three crazy surfers, boards under hand
stood, dying to paddle out.

"Did you see the life guard twirling his red flag,
jumping down from his high wood chair,
blowing a whistle?
That didn't seem to impress them.

"Can we go in the water,"
the three amigos looked at me,
anxiously, waiting for my answer.

"Did you see the life guard twirling his red flag,
jumping down from his high wood chair,
blowing his whistle?"
I appealed to the three amigos again.

"Where are you guys from?"
I asked again to change the subject.
"Venezuela." he said, still wanting to go in the surf.

Rain splashed down in gigantic drops
pelting the three amigos and me.
First north, then south, lightening bolts flashed down to the sea.

Then, the first amigo told me he saw a funnel cloud.
"Over water?" I asked, that perked my interest.
"No, over land, not the sea."
That was enough for me
to pack up, head for some safety.
This looks just about like the truckload of United Farm Workers
who arrived on our picket lines on July 4, 1973
at the onset of our strike against The Painesville Telegraph

"Venezuela?  I said in a puzzled tone.
"I always get mixed up.
Far as I've been is Mexico.
Is that shuh-vez (Chavez)?"
I asked, knowing the answer.
"No, chah-vez (Chávez)," he shouted out,
but not angrily.

"Cesar 'chah-vez' was the leader
of the farm workers in America.
For the union!"
I shouted above roar.





"I know cause he sent me a hand written letter
and a bunch of his farm workers
loaded in a truck
to our Fourth of July strike in 1973
for solidarity.
They walked the picket lines with us
outside the Painesville newspaper plant,
along Lake Erie, in eastern Ohio.

"A farmer worker read his letter
right in front of the reporters and TV for all to see.
I wish I still had the letter from Chavez
but I think I know what it would say -
something about...the 'unjust conditions...
'dignity and solidarity,
 forever.'"

Painesville Telegraph newspaper building sign in 1969

"It's 'chah-vez," he insisted.

I doubt very much the smiling amigos
from South America
had ever heard of the Chavez
from North America.

Oh, no, by now the blue grey black
thunderstorms packed with lightening
was looking like the space ship that covered
the capital in Independence Day, the movie.
"Cryptic Jesus," I muttered to myself,
trying to hold on.

"Holy Mother, Mary, sweet Jesus,
I am a mixed up, lost


Episcopal
blond haired boy
turned Presbyterian
raised Catholic.

"What do I know,"
I said to the three amigos, starting on my way.

"Cryptic Jesus, Cryptic Jesus," I finally said out loud,
hoping not to get struck down instantly.

"Where's the VFW dance hall when i need it?"
I wondered, as my mind lapsed 
back to a wood shack on the west side of Cleveland
surrounded by hundreds of Harleys
moonlit shining silver.
After all, it was 
the Hell's Angels, 
Viet Nam Vets Motorcycle Club
bikers night.  
"cryptic Jesus, cryptic Jesus" 
"What happend to Crazy Ed?" 
was all I could think to say.

Remember the lettuce and grape boycotts
all over the USA?
My Chavez,
no little squiggly thing over the "a"
(like the president of Venezuela)
organized 50,000 field workers from California
to Florida by the late 1970s, so
our 100 strong Typographical Workers
was ahead of its day.
And, I do wonder if we hadn't had
the United Farm Workers help
the Teamsters woulda turned back the trucks
filled with huge rolls of white printing paper
and us peons would've won our better pay.
(We didn't know that a turf war
broke out between the two unions
not long before,
but we were young and pure.)

The other Chavez, Hugo, to set the record straight,
they say is a socialist, now
rattling the United States
leading his 'Bolivarian' revolution,
named after Simon
who won their independence
from the Empire of Spain
in the early 19th Century.

A poster used to rally Americans to boycott
lettuce and grapes during the nationwide
boycott to get better wages and working
conditions for farm workers, poster by
the Women's Graphics Cooperative,
Chicago, 1978

But old Cesar, a Mexican
American
from Yuma, Arizona
who died in ninety-three, at age 66,
same as that people's highway,
now always carries the day.
Folks from California
celebrate his birthday
March 31st, each year -
Cesar Chavez Day, a California state holiday.

His favorite saying in those days of struggle
that began fifty years ago:
"¡SÍ SE PUEDE!"
(Yes We Can)

Hey, it also worked for Barack Obama.

Chávez no Chavez by Mike Marcellino copyright 2012  

Postscript on Cesar Chavez, the farm workers 
and The Painesville Telegraph newspaper strike 
by Mike Marcellino

When Chavez died on April 23, 1993, staff writer George Ramos wrote The Times obituary published the next morning. He wrote:

Cesar Chavez, who organized the United Farm Workers union, staged a massive grape boycott in the late 1960s to dramatize the plight of America’s poor farmhands, and later became a Gandhi-like leader to urban Mexican-Americans, was found dead Friday in San Luis, Ariz., police said. He was 66.

Here's how the Library of Congress describes the influence of Chavez in helping farm workers gain a better life:

On August 22, 1966, the United Farm Workers Organizing Committee (UFWOC), later renamed the United Farm Workers of America (UFW), was formed. The UFWOC was established when two smaller organizations, the National Farm Workers Association (NFWA) and the Agricultural Workers Organizing Committee (AWOC), both in the middle of strikes against certain California grape growers, merged and moved under the umbrella of the AFL-CIO. Under the founding leadership of Cesar Chavez and Dolores Huerta, the UFW won many labor or civil rights concessions for disenfranchised Mexican-American farmworkers, an important aspect of the Chicano movement. The Chicano movement has been an often-ignored part of the civil rights struggles in the 1960s; it was, nonetheless, a landmark period for the second-largest ethnic minority in the U.S.  

Before the rise of the UFW, working conditions were harsh for most agricultural workers. On average, farmworkers made about ninety cents per hour plus ten cents for each basket of produce they picked. Many workers in the field were not provided even the most basic necessities such as clean drinking water or portable toilets. Unfair hiring practices, such as favoritism and kickbacks, were rampant. Seldom were their living quarters equipped with indoor plumbing or cooking facilities.  

The strike against the Painesville Telegraph involved all non-management workers, from reporters to typesetters. It was a classic union organizing struggle by 100 workers against a powerful publisher who ran his newspaper like a plantation where full time reporters with a family and children were paid so little they qualified for food stamps.

While smoking was allowed in the newsroom in those days, women had to go to their powder room to smoke a cigarette. A senior reporter with 25 years experience made only $25 more than a cup reporter making $100 a week. Since no one counted hours, it's hard to say how much people were making an hour, less than $2 an hour. Minimum wage was $1.60 an hour. I was one of the reporters on strike and a strike leader and qualified for food stamps (before going on strike).

Strikers also went door to door, asking subscribers to support the workers and cancel their subscriptions to the newspaper until the strike was settled.  The paper's circulation of about 23,000 daily was cut in half.  The strike, with only 50 workers taking an active part, went on for nine months through the winter of 1973-74.  There was at least one bombing during what became a bitter strike.  The publisher, the Rowley family, which owned several newspapers and radio stations in northeast Ohio, hired security men, armed with .357 magnum revolvers and high powered rifles, who were often seen on the rooftop of the newspaper building.  Ten strikers, including myself, were found in contempt of court by a county judge for various alleged wrong doing, including picket line activities, but charges were never filed.  Not long after the strike collapsed, the National Labor Relations Board found the publisher guilty of unfair labor practices.  There were no injuries during the strike.

After nine months, the strike collapsed in April 1974 when Local 53 of the Typographical Union in Cleveland ran out money to pay meager benefits. Thirteen years later in 1986 the Painesville Telegraph closed its doors. I don't know of a single worker on strike who went back to work. The Telegraph, the oldest paper in the Western Reserve, was founded in 1822 by Eber Dudley Howe, an abolitionist leader whose home was a station for the underground railroad for runaway slaves.

Strikers, men and women, young and old walked picket lines 24-hours-a-day and published a five day a week strike newspaper, Lake County Today, which remains archived in the Painesville Morely Libray and referenced in Australian archives. I have also discovered a film of the striking workers archived in the WPA Film Library.
Here is the WPA discription of the film:

Segment begins with a shot of a building indicated as "Local 53" by the sign that hangs over the front door. The camera pulls back to reveal an African-American reporter standing at an intersection. As he speaks, cars are driving behind him. Reporter states that even though Local 53 is on strike, the Painesville Telegraph newspaper has continued publication. He goes on to say that the union has decided to give the paper some local competition by coming up with a publication of their own. Report holds up the newspaper which is entilted "Lake County Today". Shot of a woman standing behind a counter that is piled with newspapers. The woman explains that many local residents had canceled their subscription to the "Telegraph" after they went on strike. The new paper took this opportunity to ask the locals what they would really like to see in a newspaper. The results of the questioning lead to a strictly localized perspective. View of newspaper production activity. CU of hands setting a cartoon image on the front-page layout. Shot of man and woman discussing the layout. Shot of a sign that reads "Buy the Newest Paper-Lake County Today". Shot of man with a full beard sitting in the Local 53 office reading "Lake County Today". (Man looks ultra 70's) Shot of two men seated at a desk reading the newspaper. The man who is facing the camera is talking on the phone. The other man picks up the receiver of a black rotary telephone.  

Friday, July 27, 2012

'Like magic, it would seem,' a poem about 'Blowin' in the Wind' by Mike Marcellino

Poet, songwriter performing artist Mike Marcellino
sports "Hard Travlin'" T-shirt with art by Woody Guthrie
he was given at the Woody tribute
in Cleveland in 1996 

Like magic, it would seem
by mike marcellino


Four and a half days,

that's fast,

faster than the dust bowl days,

even today,

A la Woody Guthrie, but in the 60s,

off the siding

of the interstate highway

to route sixty-six, at times

stranded 'in a wasteland of the free'

to quote Iris DeMent.





On the road to find out

what America's all about -

like Woody's 'This Land Is Land'

sort of thing,

or maybe more like

Masters of War a Bob Dylan sort of thing. Truth is we were

freewheelin' across our fair land

at those very same moments

when Bob was writing an' singin' all that stuff.


On our first big ride, we were

almost saved

somewhere in the darkness of Kansas

by an unnamed family

always silently in fervent prayer.

We did get to eat at the break of day,

not sure where, but somewhere east of oz.

Hands out, even doin' a bit a soft shoe

echoes on the side of the road

like magic, it would seem.


We didn't see any evidence of a war

brewing

far away

in a place half way round

the globe

we were told

where in the dark blue mountains

it don't even snow

like magic, it would seem.


Our last night on the highway to LA

almost became really our last night.

You had to boost yourself up

to get into the cab. Then pitch black

only illuminated by dial for the gas,

we started going off the road,

we were on the edge

of oblivion, but that

kind truck driver woke up

put us straight

into CALI FOR NI A!


Not sure I remember what 

was going on 

in that summer of sixty-four,

two years before

we went off to war, 

except the Beach Boys. Maybe that

all got erased 

where in the dark blue mountains 

it don't even snow

like magic, it would seem.


But I took along all those versus, Bob, 

from 'Blowin' in the Wind' to 'I Shall Be Free'

with 'Corina, Cornia' in between. I knew

just when a song would come up.

"Did you know that people say 

you wrote that first song in 10 minutes?"

"I'd call that really speedin', wouldn't you?"

"Well try to sit down and write something like that. Ah, there's a magic to that," 

he once tired to explain.


But our road trip wasn't over. We took a train

to Nevada, Las Vegas that is,

and after the fare it left us 

with twenty bucks, 

not to spare.

Little wheel spin and spin

in the Desert Inn.

"Black!"

"No, green!"

(A terrible scream)

Echoes on the side of the road

where in the dark blue mountains 

it don't even snow.

Like magic, it would seem.


Like magic it would seem by Mike Marcellino copyright 2012

Mike Marcellino just recorded a new song, "Woody Blues," his song to Woody Guthrie marks the century celebration of the work of the legendary American folk singer from the Great Depression of the 1930 and 1940s.  Guthrie would have been 100 years old on July 14, 2012.  Woody's music and life on the road with the downtrodden has influenced generations of musicians around the world to the present day.  Guthrie was a mentor of Bob Dylan, who visited Woody while he was hospital in New York City.  Guthrie died in 1967 at age 55 from Huntington's Disease.


Dylan explains his magic on 60 Minutes

Bob Dylan in a 60 Minutes interview with Ed Bradley in 2004 admitted he took him about 10 minutes to write Blowing in the Wind.  Dylan said it was a "penetrating magic" in creativity that enabled him to write his early songs.  

Here's an excerpt of Ed Bradley's interview with Bob Dylan -

BD: Well try to sit down and write something like that. Ah, there's a magic to that. And it's not a sigfried and roy (reference to a magician and lion tamer performing duo) kind of magic . It's a penetrating kind of magic. I did it at one time.


EB: You don't think you could do it today?

BD: uh huh...

EB: Does this disappoint you?

BD: You can't do something for ever. (shakes his head slightly) I did it once and I can do other things now. I can't do that. (he looks down)

So, you guess about that.  Here's a video of the song and the lyrics.  Introduced by Jack Nicholson, Bob Dylan sings Blowin' in the Wind with Ron Wood and Keith Richards of the Rolling Stones at Live Aid in 1985.  The song is #14 n Rolling Stone's 500 Greatest Songs of All Time.  Dylan is 71.



Blowin' In the Wind
by Bob Dylan

How many roads must a man walk down
Before you call him a man?
Yes, ’n’ how many seas must a white dove sail
Before she sleeps in the sand?
Yes, ’n’ how many times must the cannonballs fly
Before they’re forever banned?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind

How many years can a mountain exist
Before it’s washed to the sea?
Yes, ’n’ how many years can some people exist
Before they’re allowed to be free?
Yes, ’n’ how many times can a man turn his head
Pretending he just doesn’t see?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind

How many times must a man look up
Before he can see the sky?
Yes, ’n’ how many ears must one man have
Before he can hear people cry?
Yes, ’n’ how many deaths will it take till he knows
That too many people have died?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind

Copyright © 1962 by Warner Bros. Inc.; renewed 1990 by Special Rider Music

Here's a link to Bob Dylan's website for more stuff - 

Wednesday, July 25, 2012

'Woody Blues' : Mike Marcellino's 'talk' with Woody Guthrie, an American folk music legend

This Hard Travlin' poster of the art of legendary American folk singer of the Great Depression was published by the Rock and Roll Hall of Fame in 1996

Hard travelin': 'Woody Blues' story

The evolving interest in the Oklahoma cowboy Woody Guthrie first led Mike Marcellino to write a poem about Woody in view of how things are today, called "St. Augustine, Woody Blues."  Now the poem has turned into Woody Blues, a lyrical poetry song recording with Mike doing the lyrics and vocal and Tomas Texino doing the music and on electric guitar and synthesizer.  

Mike says his interest in the life and folk music of Guthrie, popular troubadour across America during the Great Depression of the 1930s, started long ago in the early 1960s when he fist started listening to the likes of Bob Dylan, who admired and was influenced by Guthrie.  Guthrie's songs that interest Mike are about the downtrodden and the working families.  His continuing interest got a boost on a wild road trip in the summer of 1964, from North Carolina to California, winding up in New York City.  (The subject of Mike's short memoir, a limited edition, New York Revisited, published in Cleveland in 2008 or so in advance of Mike's poetry music performing tours in New York City, the last one in the fall of 2010.)  

"My favorite Woody Guthrie songs are Pretty Boy Floyd and Hard Travlin'," Mike says.  "But then, I still listening."  Mike's poetry music covers the waterfront, and he invites you to listen to "Woody Blues" his 11th in a series of recordings that began in the fall of 2009.  He released 6-song limited tour CD "Notebook Writer" in 2010.  A new, full album is in the works along with a series of performances in the United States and Europe.  

Add, Deportee (Plane Wreck at Los Gatos) to that list of my favorite Woody Guthrie songs: list gonna grow and grow:  add California Stars and Ingrid Bergman (I like those two by Wilco and Bily Bragg on Mermaind Avenue, a two-CD set of Woody's songs) it's gonna grow and grow...

"I'll never lose my interest in Woody Guthrie, for me, he was the first real voice I heard, along with Dylan.  They're both great American writers,"  Mike added.  Woody would have turned 100 on July 14, 2012 if he were alive.

Mike says you can help preserve Woody's legacy and archives by supporting the Woody Guthrie Foundation, a non-profit organization.  In fact Mike discovered the Hard Travlin poster of the art by Woody Guthrie can be purchased at the Woody Guthrie website by clicking this link.  And, Mike just may have to get one himself cause his "Hard Travlin" T-shirt's coming apart.  Mike picked up the T-shirt in Cleveland in 1996 at the time of the 10-day celebration of Guthrie's music put on by the Rock and Roll Hall of Fame Museum and Case Western Reserve University.  


And, finally, here's a link to the main Woody Guthrie website.  In 1988 Guthrie was inducted into the Rock and Roll Hall of Fame.  Woody was the first artist celebrated in the rock hall's annual master series in 1996, an event Mike didn't miss.


You can listen to Mike's new song "Woody Blues" on the music player at the top.  Here, also, is a link to our music site on ReverbNation.  Listening is free; share our music and like us on our Facebook music page.
Woody Blues

by Mike Marcellino


First it was my army backpack.
Then
my old yellow T-shirt
with The Lillies on
gone.

The day after
Friday the Thirteenth
they took
my real leather beach shoes
right on your birthday.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

So, this becomes
your birthday song
from the sand beaches
of the Great Recession
to dust bowls
of the Great Depression.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

"As I went walking I saw a sign there
And on the sign it said 'No Trespassing.'
But on the other side it didn't say nothing,
That side was made for you and me."


So Woody, tell me,
Is this still our land -
"From California to the New York island;
From the red wood forest to the Gulf Stream waters?"

Or is it just a den of greed and thieves?
Did you have to nail stuff down,
back then
on the box car roads to California?
Or, just watch out
gettin' beat up bound for glory?
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

Now, another century
Jammin'
on Roosevelt Island.
Makin' up some songs
on the streets of Cleveland.
Trekking cross country
thumb out all the way.
Nothin' to lose anymore,
except everything
when the trucker fell asleep.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.
"Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me."


Thanks for the borrowed lines, Woody.
They're mighty fine.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.


St. Augustine, Woody Blues and Woody Blues recording lyrics by Mike Marcellino, copyright 2012

So long, been good ta know ya - here's This Land is Your Land by Woody Guthrie in a rare Depression era video


Saturday, July 14, 2012

My song to Woody Guthrie: "Got the Saint Augustine, Woody Blues"


The Harder They Come, written by Jamaican singer Jimmy Cliff, performed by Willie Nelson and Ryan Adams, Live, David Letterman Show 2002.



Got the Saint Augustine,
Woody Blues


by Mike Marcellino



First it was my army backpack.

Then

my old yellow T-shirt

with The Lillies on

gone.

The day after

Friday the Thirteenth

they took

my real leather beach shoes

right on your birthday.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Mike Marcellino performs at Gallery RIVAA on Roosevelt Island in New York City





So, this becomes

your birthday song

from the sand beaches

of the Great Recession

to dust bowls

of the Great Depression.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


"As I went walking I saw a sign there

And on the sign it said 'No Trespassing.'

But on the other side it didn't say nothing,

That side was made for you and me."



So Woody, tell me,

Is this still our land -

"From California to the New York island;

From the red wood forest to the Gulf Stream waters?"


Or is it just a den of greed and thieves?


Did you have to nail stuff down,

back then

on the box car roads to California?

Or, just watch out

gettin' beat up bound for glory?

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Now, another century

Jammin'

on Roosevelt Island.

Makin' up some songs

on the streets of Cleveland.

Trekking cross country

thumb out all the way.


Nothin' to lose anymore,

except everything

when the trucker fell asleep.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.

Add caption


American folk singing legend Woody Guthrie, born July 14, 1912, Okemah, Oklahoma; died October 3, 1967 in New York City, at age 55 from Huntington's disease


"Nobody living can ever stop me,

As I go walking that freedom highway;

Nobody living can ever make me turn back

This land was made for you and me."



Thanks for the borrowed lines.

They're mighty fine.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Got the Saint Augustine,Woody Blues by Mike Marcellino, copyright 2012



"This Land Is Your Land" by Woody Guthrie



"This Is Your Land," Bruce Springsteen, Los Angeles, 1985