Showing posts with label Cleveland. Show all posts
Showing posts with label Cleveland. Show all posts

Sunday, August 12, 2012

Muhammad Ali: A Kiss for 'the Greatest'

Muhammad Ali pop painting
by John Stango
A kiss for 'the greatest'

by Mike Marcellino

When I returned to Singapore in 1979, I was stunned by my Indian-Chinese sister-in-law's story of the kiss she gave Muhammad Ali.  

Dindi Devi, then with the Singapore government, was working at the United Nations in New York City that day. 

As she walked in a hallway, Ali walked toward her.  She quick stepped up to him and planted her kiss on the check of her hero - "The Greatest, and a hero of the world. Listening, I felt like I was there.  To me Ali is more than an icon.  While he is the greatest boxer of all time, he is also a wonderful and courageous human being.  

Ali reminds me of my Sicilian, Italian-American Dad, Tony Marcellino, who my boyfriends called, with great respect,"Big Tone"  Both have fists of iron and hearts of gold.  

Tony's was my "father" since I was a 3-year-old when my mother, Katherine, me and my freckled-faced older brother lived in the Fleetwood hotel on Miami Beach.  It was at The Fleetwood where Katherine and Tony fell in love.

Our mother, Katherine Ricker, and father, Emory Ensor, split up.  I wrote a poem about those days, "Flying Over the Fleetwood" but haven't yet recorded it as a lyrical poetry song.  I have performed it a couple of times on stage in Cleveland and Baltimore. 

Beautiful Katherine, with long flowing light brown hair, was Presbyterian Protestant from Alsace Lorraine on the French-German border.  There was some English and Scotch in there too, but I'm all mixed up.  All I do know is something my dear Aunt Dot wrote in pencil on a  piece of white paper.  I still have it.  

Emory Ensor, with dashing black hair, a sometimes assistant starter at Pimlico and horse racing tracks up and down the East Coast, was a wild Englishman, and Scotch-Irish Catholic. Katherine was a strong-willed woman, and stern, but she had a giving heart.  She was raised like Cinderella by a cruel aunt and uncle.  They made her scrub the floors on her hands and knees all the time while everyone else her age was out having fun in Baltimore City in the Roaring Twenties. 

Katherine was the kind of mother, I never called her "mom," that cooks and cooks great stuff like English meatloaf with mashed potatoes and string beans; the kind that never sits down until everyone else is up from the table.  One thing I know - my father's side is a family of horse people, thoroughbreds.  The proof is my great uncle, Buddy Ensor, the greatest hand rider ever, is a hall of fame jockey. She had never been further than The Maryland Shore in her working class life, but she somehow took us down to south Florida.   Perhaps she'd been down to Hialeah race track and had connections.  That I'll never know, but it would make a good story.

Tony, I always called him with the greatest respect, fought in the ring as a teenager all over the Midwest and East Coast during the years of The Depression.  

Tony Marcellino - he fought light and middleweight for thirty-five dollars if he was lucky.  He told me he often fought under made up names, like an actor.  He had a lot of fights, hundreds, but not too many and turned professional.  Said he was never knocked out.  Not even knocked down.  Once he said  a referee called a knockdown.  He said it was a slip.  I believe him. Tony was as honest as an arrow.  I believed and listened to every word he said.  He was quit a philosopher too.

In Los Angeles I almost seriously took up boxing.  After school I would spar with a friend named Mike Palooka, I swear that was his name, but the comic book character was "Joe."  One day I realized he was a bit quicker with his hands than me.  I kept getting hit in the head. I quit boxing.

My boyfriends in Cleveland always asked me if he was in the Mafia.  We never used the word.  I never asked Tony about it.  I did know where he kept his stubbed-nose thirty-eight revolver - in the top drawer of the dresser.  

I always felt safe with Tony; I never called him Dad. There wasn't a need for that; he was a great father.    He got me a BB gun before I turned four and a few years later a .22 rifle and a .410 shot gun.  He didn't have to teach me how to use them.  The longshoremen from the docks in San Pedro Harbor showed me. I was a natural.   

I'll never forget one New Year's Eve outside our one-room apartment (it was new).  Tony got his .38, loaded it with blanks and he let me shoot it off. Quite a celebration for a eight-year-old.   We made quite a racket that night in Wilmington, California.  But, I must stop here, I'm getting into a whole 'nother story. 

Today, at 70, suffering with Parkinson's disease he was diagnosed with in 1984, Ali is a living legend.  He'll always be remembered for carrying the Olympic Flame at the 1996 in Atlanta, shaking but determined, he climbed those stairs. He won the Gold Medal as a light heavyweight in the Rome Olympics.  He's a recipient of the Presidential Medal of Freedom in 2005. At the London Olympics he was the titular bearer of the Olympic flag.

He'll be also be remembered for his refusal to be drafted into the U. S. Armed Forces in 1967 because he was against the Vietnam War.  He considered himself a conscious objector.  He said it was against his faith, by then Muslim.  

"War is against the teachings of the Holy Qur'an. I'm not trying to dodge the draft. We are not supposed to take part in no wars unless declared by Allah or The Messenger," he told the world.  

At his trial on felony charges of draft evasion, on June 20, 1967, after only 21 minutes of deliberation, the jury found Ali guilty.  The New York State Athletic Commission stripped him of his World Heavyweight title and suspended him from boxing.  I was about to go to Vietnam as a U. S. Army correspondent. 

Ali had the courage of his convictions.

On June 28, 1971, the Supreme Court reversed his conviction for refusing induction by unanimous decision in Clay v. United States. That's justice for you, better late then never.  

I had returned from the war in September of 1968, got out of the Army, turned around after two weeks at home and went back to Singapore to marry Lohmani Dev, daughter of Ram Paul Singh, a devote Hindu and engineer for the British, a gentle and pure Indian and became a newspaper reporter at the Painesville Telegraph in Ohio, east of Cleveland.  I often wrote about of the wounds and sufferings of that war and the courage of my brothers in arms - soldiers, Marines, airmen and sailors.  I wrote many stories about war protests and covered the largest march on Washington in our nation's history in October of 1969.  I sometimes struggled myself, fighting my my own demons, nightmares and flashbacks. Along the way, after the war had finally ended, I managed to capture two national awards for my stories, but not for the ones I did on the struggles of our nation and its people trying to find their conscience.   

Now I find I'm still learning about myself and the heroes of our nation on both sides of the war.  

Ali will always be remembered for how he could "dance like a butterfly" in the ring, "sting like a bee and" rope-a-dope."  But, even more, the whole world knows and admires him for his work in human rights and philanthropy for the betterment of all people. 

In doing this story, I had a hard time nailing down the day of the now historic "kiss" of Devi and Ali at the United Nations.  Internet archives only go back to 1980.  So we're some writing history here.  

For the record - Ali was born Cassius Marcellus Clay, Jr. on January 17, 1942.  His father, a billboard and sign painter, Cassius Marcellus Clay, Sr. was named after the 19th century abolitionist and politician of the same name. 

Now, I know what happened when Muhammad Ali, a different champion of the nation, visited the United Nations.  I have proof of "the kiss."  

On that day Ali was still heavyweight champion of the world - three time champion, he reminded a room full of reporters at the UN.  He told them he'll retire soon and go out on top, which black prize fighters never had managed before.   

"It would be a sin. The worst thing I could do is go back into the ring," Ali told reporters.

It was 1972 on Ali's visit to the United Nations.  The whole story of the day Dindi kissed  Ali  in the halls of the United Nations.  Without hesitation she planted a kiss on the cheek of Muhammad.  I only wish I had been there.

"I'm painting for peace," he told reporters.  

Ali told reporters in the taped interview that he was having a show at The Roseland Ballroomon on West 52nd Street in New York.  It's known as "the greatest ballroom."

"It will be the greatest," he said.

The Roseland Ballroom, New York City

Hey, if I make this story into a poetry song with music, maybe I can perfom at The Roseland some day.

You can listen to the tape now.  This is how the United Nation's website describes the 34 minute interview - 

Boxing legend Muhammad Ali speaks about God, boxing and using his fame for a good cause in this press conference at UN Headquarters.  It's 34 minutes and here's the link to the website.  


Here also is a link to the official Muhammad Ali website.  On the cover he's dodging and weaving against the punching bag.  It's the greatest!

As stories often go, there's a postscript.  Ali was also a pretty good singer.  I was aware of his albums vaguely.  Here's Muhammad Ali doing a cover of Ben E. King's classic, "Stand By Me" he recorded in 1963.


"Stand By Me" by Muhammad Ali




Then "Cassius Clay" wins the World Heavyweight Championship after Sonny Liston fails to come out in the 7th Round.  The fight, February 25, 1964 in Miami, Florida was almost cancelled because Clay was seen with Malcom X in Miami and other cities.

Wednesday, July 25, 2012

'Woody Blues' : Mike Marcellino's 'talk' with Woody Guthrie, an American folk music legend

This Hard Travlin' poster of the art of legendary American folk singer of the Great Depression was published by the Rock and Roll Hall of Fame in 1996

Hard travelin': 'Woody Blues' story

The evolving interest in the Oklahoma cowboy Woody Guthrie first led Mike Marcellino to write a poem about Woody in view of how things are today, called "St. Augustine, Woody Blues."  Now the poem has turned into Woody Blues, a lyrical poetry song recording with Mike doing the lyrics and vocal and Tomas Texino doing the music and on electric guitar and synthesizer.  

Mike says his interest in the life and folk music of Guthrie, popular troubadour across America during the Great Depression of the 1930s, started long ago in the early 1960s when he fist started listening to the likes of Bob Dylan, who admired and was influenced by Guthrie.  Guthrie's songs that interest Mike are about the downtrodden and the working families.  His continuing interest got a boost on a wild road trip in the summer of 1964, from North Carolina to California, winding up in New York City.  (The subject of Mike's short memoir, a limited edition, New York Revisited, published in Cleveland in 2008 or so in advance of Mike's poetry music performing tours in New York City, the last one in the fall of 2010.)  

"My favorite Woody Guthrie songs are Pretty Boy Floyd and Hard Travlin'," Mike says.  "But then, I still listening."  Mike's poetry music covers the waterfront, and he invites you to listen to "Woody Blues" his 11th in a series of recordings that began in the fall of 2009.  He released 6-song limited tour CD "Notebook Writer" in 2010.  A new, full album is in the works along with a series of performances in the United States and Europe.  

Add, Deportee (Plane Wreck at Los Gatos) to that list of my favorite Woody Guthrie songs: list gonna grow and grow:  add California Stars and Ingrid Bergman (I like those two by Wilco and Bily Bragg on Mermaind Avenue, a two-CD set of Woody's songs) it's gonna grow and grow...

"I'll never lose my interest in Woody Guthrie, for me, he was the first real voice I heard, along with Dylan.  They're both great American writers,"  Mike added.  Woody would have turned 100 on July 14, 2012 if he were alive.

Mike says you can help preserve Woody's legacy and archives by supporting the Woody Guthrie Foundation, a non-profit organization.  In fact Mike discovered the Hard Travlin poster of the art by Woody Guthrie can be purchased at the Woody Guthrie website by clicking this link.  And, Mike just may have to get one himself cause his "Hard Travlin" T-shirt's coming apart.  Mike picked up the T-shirt in Cleveland in 1996 at the time of the 10-day celebration of Guthrie's music put on by the Rock and Roll Hall of Fame Museum and Case Western Reserve University.  


And, finally, here's a link to the main Woody Guthrie website.  In 1988 Guthrie was inducted into the Rock and Roll Hall of Fame.  Woody was the first artist celebrated in the rock hall's annual master series in 1996, an event Mike didn't miss.


You can listen to Mike's new song "Woody Blues" on the music player at the top.  Here, also, is a link to our music site on ReverbNation.  Listening is free; share our music and like us on our Facebook music page.
Woody Blues

by Mike Marcellino


First it was my army backpack.
Then
my old yellow T-shirt
with The Lillies on
gone.

The day after
Friday the Thirteenth
they took
my real leather beach shoes
right on your birthday.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

So, this becomes
your birthday song
from the sand beaches
of the Great Recession
to dust bowls
of the Great Depression.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

"As I went walking I saw a sign there
And on the sign it said 'No Trespassing.'
But on the other side it didn't say nothing,
That side was made for you and me."


So Woody, tell me,
Is this still our land -
"From California to the New York island;
From the red wood forest to the Gulf Stream waters?"

Or is it just a den of greed and thieves?
Did you have to nail stuff down,
back then
on the box car roads to California?
Or, just watch out
gettin' beat up bound for glory?
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

Now, another century
Jammin'
on Roosevelt Island.
Makin' up some songs
on the streets of Cleveland.
Trekking cross country
thumb out all the way.
Nothin' to lose anymore,
except everything
when the trucker fell asleep.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.
"Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me."


Thanks for the borrowed lines, Woody.
They're mighty fine.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.


St. Augustine, Woody Blues and Woody Blues recording lyrics by Mike Marcellino, copyright 2012

So long, been good ta know ya - here's This Land is Your Land by Woody Guthrie in a rare Depression era video


Monday, June 18, 2012

Split Pea/ce: rare video of Cleveland's lyrical poetry revolution

Mike Marcellino and Abe Alvido as Split Pea/ce
(Video by John Burroughs)

Split Pea/ce rips poetry, electric guitar 
at  legendary Mac's Backs on Coventry


This is a rare, maybe the only known video recording of poet Mike Marcellino and guitarist Abe Olvido performing their lyrical poetry music.  Thanks to fellow poet and friend John Burroughs for being at the show and recording this video.


This show with Marcellino and multi-media artist Olvido as the band, Split Pea/ce, was recorded at the legendary Mac's Backs Bookstore on Coventry in Cleveland Heights, Ohio on October 8, 2008.  That was the year Mike started his musical poetry adventures after showing Abe one of his poems earlier that year.  He's not sure which one started it all.


In this video Split Pea/ce performs several of Mike's early songs: been down ta Las Cruces, Asterisks after innocence, Full moon Baltimore and West of the Pecos. 


In case you're not familiar, Coventry Village in Cleveland is a miniature Midwest version of Greenwich Village in New York City or Haight Ashbury in San Francisco - places where the Sixties still survives in spots.  Also, in case you wonder, looking at this rare video, Abe rarely faced the audience while creating his music.  


Mike now knows why he left the snows of Cleveland for the surf of St. Augustine as he looks rather peaked at the Mac's Backs show. His hair and beard are mostly blond now bleached by the tropical sun, salt spray and lemon juice.



Split Pea/ce performed many times in Cleveland in 2008 and 2009 from the East Side to the West Side and South.


The band's home base was the legendary Barking Spider Tavern on the campus of Case Western Reserve University, just down the road from Algebra Tea House on the old red brick Murray Hill Road in Little Italy where Mike and Abe met. 



Mike reads his poetry songs at International Human Rights Day in Cleveland as renowned reggae musician Carlos Jones jumps off stage.  (Photo by The Plain Dealer)


Some of the classic performances of Split Pea/ce included The Battle of the Bands at Peabody's where the crowds of teens and twenty somethings went wild, jumping up on stage and asking Mike to sign copies of his rip and read lyrics on perforated rolls of computer printing paper.


Split Pea/ce performs at Visible Voice Books in Cleveland


Mike Marcellino with noted poet and musician Ray McNiece at the Barking Spider Tavern

While Mike did talk with record company scouts, Split Pea/ce wasn't signed to a label. Another of the band's memorable shows was at Visible Voice Books in the Tremont neighborhood, just across the Cuyahoga River from downtown.

In September of 2009 Mike left Cleveland to bring his lyrical poetry to the cafes, art galleries and festivals of New York City from the Lower East Side to Greenwich Village and Williamsburg in Brooklyn. Now he surfs the beaches of St. Augustine, America's oldest city.  Mike performs and records with musicians Tomas Texino in St. Augustine, Florida and Randall Leddy in New York City.  

In the fall of 2010 to help promote his New York City shows, Mike and Texino produced a 6-song CD "Notebook Writer."  A few copies remain and can be had for a price.  Just comment on this bog if you're interested in this classic album. 

Mike Marcellino as Split Pea/ce on MySpace

Check back as Mike's out looking for the lyrics to these four songs to post up. 

Wednesday, February 24, 2010

Miss the flavor of the Sixties?

Photo from the opening of the new Root Cafe last Christmas time.

Try a cup of Phoenix coffee at the reborn "Root Cafe"
by Mike Marcellino


If you hail from, ever in, or never been to Cleveland, don't miss stopping by The Root Cafe in Lakewood, Ohio (minutes west of Public Square downtown), for a trip back to why we miss the 60s and the best coffee, camaraderie, bakery, music, poetry and food like veggie pizza. (It already has two five star reviews on yelp.com.)


I've the pleasure of knowing the proprietors Julie and Bobby, who realized their dream with hard work and help from the community. The cafe moved a couple of doors down from their Lakewood Phoenix Coffee, but the beans are still roasted right in town by Carl Jones of Phoenix Coffee, rising from the ashes of his once famed Arabica Coffee, founded on Coventry Road, Cleveland's answer to Haight-Ashbury.


While Cleveland carries shackles of such recent pop titles such as America's "most miserable city" bestowed by Forbes Magazine, don't believe it. Cleveland won that title largely due to its lake effect blizzards and corrupt politicians, aspects it shares with many of America's big northern cities.


If you doubt that unsung Cleveland's a cultural gem, stop by The Roots Cafe. Tell Julie and Bobby (and their really smart, friendly kids, Hazel & Gabriel) that Mike says hello, and misses them and the rest of what makes Cleveland special. Or, maybe we can meet there, at The Root Cafe, 15108 1/2 Detroit Ave. for their all day celebration of the spring equinox Saturday March 20th.  (I once read poetry at an open mic at the old Lakewood Phoenix.)


And to see that Cleveland does have some decent public officials, stop by the office of U. S. Congressman Dennis Kucinich, just down the road. He's the guy that ran for president to set up a Department of Peace.

Copyright by Mike Marcellino 2010

Monday, December 7, 2009

Pearl Harbor: December 7, 1941


USS Cod 


A memoir: War and remembrance

by Mike Marcellino


I remember December 7, 1941, the day of the Japanese fleet's surprise attack on the U. S. base at Pearl Harbor, Hawaii, in several personal ways, each one I treasure.

I remember friends who served in World War II, some living, most dead... attending Pear Harbor Day ceremonies at the U. S. Naval Reserve Center in Cleveland, representing the city of Cleveland and Congress as Liaison for Veteran and Military Affairs.

Each ceremony was a unique moment in time of war and remembrance.  I remember each occasion over 13 years, sometimes in sunshine, sometimes in snow, looking down from the deck of the USS Cod, the last intact submarine from World War II at wreaths of flowers floating on Lake Erie.

At times, the sunlight would flicker on the waters as the flowers were carried out to sea, a beautiful tribute to those lost at Pearl Harbor.

USS Cod today in Cleveland harbor.



Tuesday, December 1, 2009

"Asterisks after innocence"

"My Girls" Vietnam War, 1968
photo by Mike Marcellino
 Copyright 2009

Asterisks after innocence
by mike marcellino

Living
in forgotten times
shot, struck down
nine eleven
seven eleven
mortars
rockets
IEDs
fire balls
in the tallest towers
a thirty-eight stub nose
or
nine millimeter
in the corner store
asterisks after innocence.

Living
in forgotten times
shot,
struck down
by Viet Cong
terrorists
Audie Murphy -
Wha'd you say?
Hey hey,
Don't you know,
Barry Bonds
was once Willie Mays
asterisks after innocence.

Living in forgotten times
shot,
struck down
by armies
of good people -
Muslims
Germans
The NVA
Special Forces of The USA.
Shot, struck down
mothers
children
fathers
grandparents.
Shot,
struck down
listening to
dictators
democrats
deciders.
Asterisks after innocence
living
in forgotten times.

Copyright Mike Marcellino, 2008

Reflections on "Asterisks"


Perhaps it's the times - wars, collapse of our financial system and housing values, a deep recession.
Perhaps it's what a few people wrote in response to a column I wrote about the growing crisis of hunger in America.



Perhaps for both reasons, or no reason at all, I dug out a poetry song I wrote in early 2008, nearly two years ago. The piece was recorded by my first band, Split Peace, before my entry on Facebook and ReverbNation. I recorded and performed "Asterisks"  with Abe Olvido, a multimedia artist and sound innovator, in Cleveland.


This September, we formed a new folk band when, after a decade absence, I returned to a place I love, St. Augustine, Florida to visit an Army buddy, Tomas Texino, a musician and writer.  Working together, with Tomas, playing mandolin and guitar and composing the music, we recorded four songs, three new and one old, "Bondi beach."  Later, I traveled to visit music friends in Brooklyn, New York and there musician Randall Leddy joined with me, playing guitar and composing "Flatbush," about the West Indian neighborhood the Dutch founded in the 1500s.
  
Our new band is simply called Mike Marcellino and in nine weeks ranks in the top 10% of Folk Artists on ReverbNation's New York City, National and Global charts.

(The band's now has reached as high as #19 Top Folk Artists in New York City and is currently at #28. Our listeners come from virtually every state and many other countries, from England, Ireland and Australia to Germany, China, South Korea and Russia, among many others.)


Not sure what all this means, if anything, but I love to body surf and have learned to tolerate a wetsuit now that the Atlantic water's down to 65 degrees.

From time to time, I'll share past poetry songs and recordings, like "Asterisks," along with new ones.

"Asterisks" seems like such a long time ago, as so much has happened in the world since the late winter of 2008. I decided to post it here, now. Somehow the song seems more meaningful now than ever.

Postscript: Hard to image it's been nearly three years since I wrote this backstory about "Asterisk's after innocence."  It's a powerful song, even to the writer.  

A lot has happened in three years, but we've fallen on the New York City folk charts to #42.  But, as i think Iris Dement once said, "It's not a race."  Or maybe a lot of us said that. (I grew tired trying to keep up with the Internet world.)

I again offer this song to you as our children are so so important to our world.  We must love and care for them.  They should not go wanting and have a chance to be happy. 

If you'd like to listen to "Asterisks" go to the music box at the top of my blog here.  Let's us know what you think about it.  That would mean a lot, hearing from you all. - Mike