Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Wednesday, July 25, 2012

'Woody Blues' : Mike Marcellino's 'talk' with Woody Guthrie, an American folk music legend

This Hard Travlin' poster of the art of legendary American folk singer of the Great Depression was published by the Rock and Roll Hall of Fame in 1996

Hard travelin': 'Woody Blues' story

The evolving interest in the Oklahoma cowboy Woody Guthrie first led Mike Marcellino to write a poem about Woody in view of how things are today, called "St. Augustine, Woody Blues."  Now the poem has turned into Woody Blues, a lyrical poetry song recording with Mike doing the lyrics and vocal and Tomas Texino doing the music and on electric guitar and synthesizer.  

Mike says his interest in the life and folk music of Guthrie, popular troubadour across America during the Great Depression of the 1930s, started long ago in the early 1960s when he fist started listening to the likes of Bob Dylan, who admired and was influenced by Guthrie.  Guthrie's songs that interest Mike are about the downtrodden and the working families.  His continuing interest got a boost on a wild road trip in the summer of 1964, from North Carolina to California, winding up in New York City.  (The subject of Mike's short memoir, a limited edition, New York Revisited, published in Cleveland in 2008 or so in advance of Mike's poetry music performing tours in New York City, the last one in the fall of 2010.)  

"My favorite Woody Guthrie songs are Pretty Boy Floyd and Hard Travlin'," Mike says.  "But then, I still listening."  Mike's poetry music covers the waterfront, and he invites you to listen to "Woody Blues" his 11th in a series of recordings that began in the fall of 2009.  He released 6-song limited tour CD "Notebook Writer" in 2010.  A new, full album is in the works along with a series of performances in the United States and Europe.  

Add, Deportee (Plane Wreck at Los Gatos) to that list of my favorite Woody Guthrie songs: list gonna grow and grow:  add California Stars and Ingrid Bergman (I like those two by Wilco and Bily Bragg on Mermaind Avenue, a two-CD set of Woody's songs) it's gonna grow and grow...

"I'll never lose my interest in Woody Guthrie, for me, he was the first real voice I heard, along with Dylan.  They're both great American writers,"  Mike added.  Woody would have turned 100 on July 14, 2012 if he were alive.

Mike says you can help preserve Woody's legacy and archives by supporting the Woody Guthrie Foundation, a non-profit organization.  In fact Mike discovered the Hard Travlin poster of the art by Woody Guthrie can be purchased at the Woody Guthrie website by clicking this link.  And, Mike just may have to get one himself cause his "Hard Travlin" T-shirt's coming apart.  Mike picked up the T-shirt in Cleveland in 1996 at the time of the 10-day celebration of Guthrie's music put on by the Rock and Roll Hall of Fame Museum and Case Western Reserve University.  


And, finally, here's a link to the main Woody Guthrie website.  In 1988 Guthrie was inducted into the Rock and Roll Hall of Fame.  Woody was the first artist celebrated in the rock hall's annual master series in 1996, an event Mike didn't miss.


You can listen to Mike's new song "Woody Blues" on the music player at the top.  Here, also, is a link to our music site on ReverbNation.  Listening is free; share our music and like us on our Facebook music page.
Woody Blues

by Mike Marcellino


First it was my army backpack.
Then
my old yellow T-shirt
with The Lillies on
gone.

The day after
Friday the Thirteenth
they took
my real leather beach shoes
right on your birthday.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

So, this becomes
your birthday song
from the sand beaches
of the Great Recession
to dust bowls
of the Great Depression.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

"As I went walking I saw a sign there
And on the sign it said 'No Trespassing.'
But on the other side it didn't say nothing,
That side was made for you and me."


So Woody, tell me,
Is this still our land -
"From California to the New York island;
From the red wood forest to the Gulf Stream waters?"

Or is it just a den of greed and thieves?
Did you have to nail stuff down,
back then
on the box car roads to California?
Or, just watch out
gettin' beat up bound for glory?
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.

Now, another century
Jammin'
on Roosevelt Island.
Makin' up some songs
on the streets of Cleveland.
Trekking cross country
thumb out all the way.
Nothin' to lose anymore,
except everything
when the trucker fell asleep.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.
"Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me."


Thanks for the borrowed lines, Woody.
They're mighty fine.
One an' all.
One an' all.
Got the Saint Augustine,
Woody Blues.


St. Augustine, Woody Blues and Woody Blues recording lyrics by Mike Marcellino, copyright 2012

So long, been good ta know ya - here's This Land is Your Land by Woody Guthrie in a rare Depression era video


Saturday, July 14, 2012

My song to Woody Guthrie: "Got the Saint Augustine, Woody Blues"


The Harder They Come, written by Jamaican singer Jimmy Cliff, performed by Willie Nelson and Ryan Adams, Live, David Letterman Show 2002.



Got the Saint Augustine,
Woody Blues


by Mike Marcellino



First it was my army backpack.

Then

my old yellow T-shirt

with The Lillies on

gone.

The day after

Friday the Thirteenth

they took

my real leather beach shoes

right on your birthday.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Mike Marcellino performs at Gallery RIVAA on Roosevelt Island in New York City





So, this becomes

your birthday song

from the sand beaches

of the Great Recession

to dust bowls

of the Great Depression.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


"As I went walking I saw a sign there

And on the sign it said 'No Trespassing.'

But on the other side it didn't say nothing,

That side was made for you and me."



So Woody, tell me,

Is this still our land -

"From California to the New York island;

From the red wood forest to the Gulf Stream waters?"


Or is it just a den of greed and thieves?


Did you have to nail stuff down,

back then

on the box car roads to California?

Or, just watch out

gettin' beat up bound for glory?

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Now, another century

Jammin'

on Roosevelt Island.

Makin' up some songs

on the streets of Cleveland.

Trekking cross country

thumb out all the way.


Nothin' to lose anymore,

except everything

when the trucker fell asleep.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.

Add caption


American folk singing legend Woody Guthrie, born July 14, 1912, Okemah, Oklahoma; died October 3, 1967 in New York City, at age 55 from Huntington's disease


"Nobody living can ever stop me,

As I go walking that freedom highway;

Nobody living can ever make me turn back

This land was made for you and me."



Thanks for the borrowed lines.

They're mighty fine.

One an' all.

One an' all.

Got the Saint Augustine,

Woody Blues.


Got the Saint Augustine,Woody Blues by Mike Marcellino, copyright 2012



"This Land Is Your Land" by Woody Guthrie



"This Is Your Land," Bruce Springsteen, Los Angeles, 1985

Monday, June 18, 2012

Split Pea/ce: rare video of Cleveland's lyrical poetry revolution

Mike Marcellino and Abe Alvido as Split Pea/ce
(Video by John Burroughs)

Split Pea/ce rips poetry, electric guitar 
at  legendary Mac's Backs on Coventry


This is a rare, maybe the only known video recording of poet Mike Marcellino and guitarist Abe Olvido performing their lyrical poetry music.  Thanks to fellow poet and friend John Burroughs for being at the show and recording this video.


This show with Marcellino and multi-media artist Olvido as the band, Split Pea/ce, was recorded at the legendary Mac's Backs Bookstore on Coventry in Cleveland Heights, Ohio on October 8, 2008.  That was the year Mike started his musical poetry adventures after showing Abe one of his poems earlier that year.  He's not sure which one started it all.


In this video Split Pea/ce performs several of Mike's early songs: been down ta Las Cruces, Asterisks after innocence, Full moon Baltimore and West of the Pecos. 


In case you're not familiar, Coventry Village in Cleveland is a miniature Midwest version of Greenwich Village in New York City or Haight Ashbury in San Francisco - places where the Sixties still survives in spots.  Also, in case you wonder, looking at this rare video, Abe rarely faced the audience while creating his music.  


Mike now knows why he left the snows of Cleveland for the surf of St. Augustine as he looks rather peaked at the Mac's Backs show. His hair and beard are mostly blond now bleached by the tropical sun, salt spray and lemon juice.



Split Pea/ce performed many times in Cleveland in 2008 and 2009 from the East Side to the West Side and South.


The band's home base was the legendary Barking Spider Tavern on the campus of Case Western Reserve University, just down the road from Algebra Tea House on the old red brick Murray Hill Road in Little Italy where Mike and Abe met. 



Mike reads his poetry songs at International Human Rights Day in Cleveland as renowned reggae musician Carlos Jones jumps off stage.  (Photo by The Plain Dealer)


Some of the classic performances of Split Pea/ce included The Battle of the Bands at Peabody's where the crowds of teens and twenty somethings went wild, jumping up on stage and asking Mike to sign copies of his rip and read lyrics on perforated rolls of computer printing paper.


Split Pea/ce performs at Visible Voice Books in Cleveland


Mike Marcellino with noted poet and musician Ray McNiece at the Barking Spider Tavern

While Mike did talk with record company scouts, Split Pea/ce wasn't signed to a label. Another of the band's memorable shows was at Visible Voice Books in the Tremont neighborhood, just across the Cuyahoga River from downtown.

In September of 2009 Mike left Cleveland to bring his lyrical poetry to the cafes, art galleries and festivals of New York City from the Lower East Side to Greenwich Village and Williamsburg in Brooklyn. Now he surfs the beaches of St. Augustine, America's oldest city.  Mike performs and records with musicians Tomas Texino in St. Augustine, Florida and Randall Leddy in New York City.  

In the fall of 2010 to help promote his New York City shows, Mike and Texino produced a 6-song CD "Notebook Writer."  A few copies remain and can be had for a price.  Just comment on this bog if you're interested in this classic album. 

Mike Marcellino as Split Pea/ce on MySpace

Check back as Mike's out looking for the lyrics to these four songs to post up. 

Tuesday, February 8, 2011

"His (Mike Marcellino) words incite a sense of dreams embodied by the city (New York):"

The Review Review:
Words embody New York dreams

Here's what The Review Review wrote about "Flatbush" and "Alphabet coffeehouse," poetry songs about New York City, written and recorded by Mike Marcellino.

First in poetry is the work of Mike Marcellino: “Alphabet coffeehouse," “Flatbush”, and “Alexander's Strings." The pieces depict different parts of New York City from its jarring traffic to its more calming fountains. His words incite a sense of dreams embodied by the city: “Flew into New York/ on wings of Peter Pan./Flew into New York/ on wings of Babylon./ Jupiter in the right now/ not as bright,/ on this clear an' quiet night” (Marcellino, “Flatbush”).

Here's the link to read the entire review of the BAP Quarterly's New York City issue.  The Review Review website reviews online magazines.


The Review Review

Bosphorus Art Project Quarterly is an online art journal aimed at bringing international artists and writers together. BAP-Q has a theme for each issue and based on the theme, discusses a wide range of topics including, but not limited to, visual arts, literature, theatre, cinema, aesthetics, and social and cultural studies.PAB Quarterly editor in chief is Jennifer Bal.

Here is the link to BAP Quarterly's New York City issue -

BAP Quarterly

To listen to listen to "Flatbush" and "Alphabet Coffeehouse," Mike's New York City songs from BAP Quarterly and other of Mike's poetry songs here's a link to his music site -

Mike Marcellino on ReverbNation

(There is also a music player with Mike's songs at the stop of his blog, "The Point of the Whole Thing.")

Friday, October 15, 2010

Poetry and music of Mike Marcellino featured in BAP Quarterly New York City issue

Mike Marcellino's lyrical poetry and music 
featured in BAP Quarterly's New York City issue

I'm pleased to introduce BAP Quarterly's New York City issue, featuring my poetry and music. Thanks to Jennifer Bal is the editor in chief. I hope you enjoy this issue. Theme of the next issue is Memory.

Bosphorus Art Project Quarterly is an online art journal aimed at bringing international artists and writers together. BAP-Q has a theme for each issue and based on the theme, discusses a wide range of topics including, but not limited to, visual arts, literature, theatre, cinema, aesthetics, and social and cultural studies.


BAP Quarterly

If you'd like to listen to more of Mike's work, visit his music site on ReverbNation

ReverbNation

Sunday, September 26, 2010

Roosevelt Island Fall for Arts Festival Performing Artists

Fall for the Arts Festival Performing Arts
The music and poetry lineup for the Roosevelt Island Fall for Arts Festival, 11am-5pm Saturday, Oct. 2nd is awesome and it's free. Headlining is wildly popular electric pop due Hank and Cupcakes (12:30 pm). With Hank on the bass and Cupcakes on the drums, the duo landed in Brooklyn from Israel two years ago and having been lighting up a storm with their mesmerizing sound. (I'm performing at the festival.)

Poets Rock RIVAA 3 (11am-4pm) features some very cool New York poetry and music - Jane Ormerod, David Lawton, Ocean Vuong, Brant Lyon, Elizabeth Harrington, Erica Miriam Fabri and Mike Marcellino, singer songwriters Chris Fuller, Stacy Rock and Sweet Soubrette and Indie rock band Bellow with Rob Gomez at Gallery RIVAA, 527 Main St.

Sharon Stern – 11:15
Naomi Imbrogno – 11:45
Erica Miriam Fabri - Noon
David Lawton – 12:15
Ann Settel – 12:30
Jane Ormerod – 12:45
Fran Bolinder/Catherine Hogan – 1
Carol Tanjutco -1:15
Elizabeth Harrington – 1:30
Brant Lyon – 1:45
Ocean Vuong – 2
Mike Marcellino – 2:15
Bellow and Rob Gomez (Indie pop band) – 2:30
Stacy Rock and Sweet Soubrette (singer songwriters) – 3pm
Chris Fuller (singer songwriter) – 3:45



Roosevelt Island is an beautiful and historic island in the East River, across from Manhattan. The festival is outdoors and indoors with Imagination Station interactive arts, magic and storytelling for kids all day and food. There's even a performance of “Oedipus Rex” by Faux-Real Theatre Company (2pm) outdoors at Roosevelt Landings Amphitheater, 540 Main Street.

The festival is sponsored by Roosevelt Island Operating Corporation.  For further information contact Erica Wilder at 212-832-4540 ext 349 or visit the RIOC website

Roosevelt Island Operating Corporation

Festival performing artists

 Photo by Alan Lugo

Hank and Cupcakes
When Hank & Cupcakes take the stage, their infectious energy dominates the room, generating a fierce groove that immediately has the crowd up and moving. First time fans may find themselves scrutinizing the stage, looking in vain for the guitar player that seems to be filling out the band's sound, but it's just Hank & Cupcakes.

Since arriving in Brooklyn from Israel a little more than a year ago, Hank and Cupcakes have captivated New York with an explosive show noted for its simmering sexuality, irresistible dance pulse, and hard to pigeonhole sound. “If I had to define it, I’d call the music experimental minimalist pop,” Hank says. “We’re trying to make pop music without having a pop sound.” Taking the best from all worlds, Hank & Cupcakes have managed to create a new hybrid of music. Tours de force cross between The Ting Tings and Yeah Yeah Yeah's, rock without guitars, pop without synthesizers.    

Hank and Cupcakes were determined to capture that live vibe when they recorded their new self- titled EP. They enlisted Grammy award winning producer Mark B. Christensen of Engine Room Audio. “We tracked the bass and drums live,” Mark explains, “then added vocals and layers of bass to get a fuller sound.” 

Hank and Cupcakes, kicks off with “Ain’t No Love” a stripped down new wave disco track with an effervescent bass line and simple, driving drum pattern. Hank’s percolating bass and melody lines weave in and out of the mix as Cupcakes lays down a bedrock backbeat that's solid enough to build a skyscraper on while wailing out the tough lyric with a soulfulness suited to an R&B diva.
 
Cupcakes grew up commuting between Australia and Israel. “I studied classical piano for about six years. When one of my teachers taught me how to accompany myself, I started making up songs.” Cupcakes still composes on piano, but had a musical shift at age 18. “A friend took me to a gathering of African drummers on the beach in Tel Aviv. I was hypnotized and started learning percussion.” Cupcakes took drum classes, but formal training was too restricting. “I got the basics and then took it from there.” Hank was born in Jerusalem. “I grew up doing art. When I heard the Beatles, I listened to them for two years exclusively and picked up the bass. I like the low frequencies" Hank laughs "and never wanted to front a band. I guess it’s just my personality.”


Stacy Rock
As a singer/songwriter, Stacy has toured the country several times playing hundreds of shows in support of her debut album, One Way Home. She has been compared to a baffling variety of artists including Tom Waits, Feist, Jeff Buckley, Regina Spektor, Aimee Mann, Stevie Nicks and even Queen. Gabriel Levitt of Brooklyn’s Jezebel Music wrote that her live performances are “unequivocally enchanting”. She is a two time award winner of the AscapPlus Award for accomplishments as a songwriter and was the resident piano player at NYC's Monkey Bar for 2 years. Also an actress, Stacy received a BFA in Acting from Boston University and moved on to study at the Royal Academy of Dramatic Arts in London. A few of her acting credits include shows at Barington Stage Company, North Shore Music Theater, The Voice of America Theater with Bill Pulman and Boston Playwrights Theater. She has starred in several films including the indie hit, "Murder Party", released by Magnolia Pictures 

Stacy Rock



Sweet Soubrette

Sweet Soubrette features the vocals and ukulele playing of NYC’s Ellia Bisker, whose original dark love songs are wickedly captivating, with clever wordplay and a sound like Regina Spektor meets the Magnetic Fields. Catchy melodies and a sultry vibe make Sweet Soubrette dangerously seductive. She is backed by a band of classically trained musicians (including a drummer who is a professional circus musician). Together they create melodic, witty songs that are by turns seductive, funny, and tragic.


Jane Ormerod
Jane Ormerod is the author of the full-length poetry collection, Recreational Vehicles on Fire (Three Rooms Press, 2009), the chapbook 11 Films (Modern Metrics, 2008), and the spoken word CD Nashville Invades Manhattan. Born on the south coast of England, she now lives in New York City.

A regular on the New York poetry and spoken word circuit, readings have included The Knitting Factory, The Bowery Poetry Club, (Le) Poisson Rouge, The Cornelia Street Cafe, Galapagos Art Space, and The Stone. She also performs extensively across the United States and beyond - San Francisco to Portland, Boston, Philadelphia, Syracuse, Salt Lake City, Canada, Ireland, Britain, and The Netherlands to name just a few places.
 
“One of the most imaginative, persistent poetry visionaries… (Jane’s) signature style is beyond belief—moving lightspeed with an astoundingly unique beat and the ability to communicate with complete command of language,” - Daniel Yaryan, producer of the San Francisco poetry series "Sparring With Beatnik Ghosts."


Erica Miriam Fabri 
Erica Miriam Fabri is the author of Dialect of a Skirt, a collection of poetry published by Hanging Loose Press (November 2009).

She is a writer and performer and a graduate of The American Academy of Dramatic Arts and received her MFA in Poetry from The New School.

Her work has been published in numerous literary journals and magazines including: New York Quarterly, Texas Review, The Spoon River Poetry Review, Hanging Loose Magazine, Good Foot Magazine, Paper Street and more.

She has performed and facilitated workshops and seminars at: Cooper Union School of the Arts, New York University, Columbia University, Penn State University, The Brooklyn Public Library, Poet’s House, The Fortune Society, The Robin Hood Foundation, and the PEN Prison Writing Program. She has worked on projects as a writer, editor and performance director for The New York Knicks, HBO and Nickelodeon Television.

She is also a spoken word mentor and curriculum writer for Urban Word NYC, a non-for-profit organization dedicated to bringing spoken word, poetry and hip-hop arts to inner-city teens.

She has been awarded a writer’s residency at the Omega Institute and has been a featured and/or visiting poet and performer for numerous art festivals and numerous outreach programs including drug rehabilitation centers, prisons and hospitals. Her first book, Dialect of a Skirt, was included on the list for: The Best Books of 2009 at About.com and made the Small Press Distribution’s Best-Seller list for June 2010.

She currently teaches Performance Poetry at Pace University, Creative Writing at The School of Visual Arts and a variety of Poetry courses at Baruch College and Hunter College of The City University of New York (CUNY).

She reads and performs solo, as well as with the hybrid music and poetry duo “The Robin and the Lady Poet” with muscian, Robin Andre. (click here for The Robin and the Lady Poet Website)

She adores everything that is bright, colorful and sparkling and her true love is her home, New York City.


 Photo by Oz Charles

David Lawton
David Lawton was a finalist for the 2010 Arts & Letters Prize for Poetry. He has a poem in the current Uphook Press anthology hell strung and crooked. And he has been very busy appearing as the epic hero in Rick Mullin's Huncke from Seven Towers Publications. See him feature at the Perch Cafe in Brooklyn on October 12th and the Beat Hour at Bowery Poetry Club on October 17th.


Ocean Vuong
Born in 1988 in Saigon, Vietnam, Ocean Vuong currently resides in New York City as an undergraduate English Major at Brooklyn College, CUNY. His poems have received an Academy of American Poets Prize, the Beatrice Dubin Rose Award, the Connecticut Poetry Society's Al Savard Award, as well as two Pushcart Prize nominations. His work appear in Word Riot, the Kartika Review, Lantern Review, SOFTBLOW, Asia Literary Review, and PANK among others. He enjoys practicing Zen Meditation and is an avid supporter of animal rights. 



Elizabeth Harrington
Elizabeth Harrington’s poems have appeared in The Hudson Review, Field, and Connecticut Review and other journals, and in an anthology about divorce. She was a winner of the Allen Ginsberg Poetry Award. Her chapbook “Earth’s Milk” was first runner-up in the Main Street Rag Chapbook Poetry contest, and another chapbook, “The Quick and the Dead” won first prize and publication in this year’s Grayson Books Poetry Chapbook Competition. She has been featured or read at a number of venues in and around New York, including Cornelia Street Café, The Bowery, KGB Bar, The Knitting Factory, The Hudson Valley Writers Center, The Poetry Center at Passaic County Community College, and others. She lives in Tarrytown, New York, with one black cat.


Brant Lyon
Brant Lyon is a writer of poetry, prose and music. “A rose without thorns is not worth sniffing,” he believes, so says, “don’t stick your nose where it doesn’t belong,” though he has often done just that while driving a cab in NYC, eating a guinea pig below Machu Picchu, playing piano at Carnegie Hall, listening to hail beat the tin roof of a tea house in the Himalayas, and teaching himself Arabic to open a cyber café with his favorite Bedouin in the shadow of the Great Pyramids of Giza. He produces the ‘poemusic’ reading series, Hydrogen Jukebox in NYC, and co-edits Uphook Press, and also edits for BigcCityLit and Spiny Babbler (Nepal). 




Mike Marcellino 
Mike Marcellino, a Vietnam war correspondent and award winning journalist, continues to write stories and poems about people, places and things. Mike has added a twist, with musicians the stories become a unique blend of music and spoken word. He’s performed in New York City, Cleveland, Tulsa and Baltimore. His new recordings include New York City stories, Alphabet Coffeehouse and Flatbush, Amelia Earhart, soft silver wings, and The Walls of Fire. He surfs and writes about that too (Bondi Beach). His writing appears in Coventry Street Fair Anthology and Stain Glass Confessional II and online at Outsider Writers, Red Fez, Literary Fever and Universe of Poetry. Mike hosts Notebook Writer Blog Talk Radio show on writers and the arts. He is author of the popular Blog, The Point of the Whole Thing. 

Mike Marcellino

Bellow and Rob Gomez

Bellow began with Rob. He had written many songs that he was performing at solo gigs and open mic nights. He grew up in Queens, a fan of classic, moving songwriters like Eric Clapton, Freddy Johnston and others. In late summer 2005, he decided he really wanted a band, so he recorded himself, put up a website and put an ad in Craigslist. Rob works as an art director and designs the artwork for Bellow.

Next came Chris, who grew up in the UK and moved to NYC to begin work with a non-profit organization, working with individuals with developmental disabilities. He played in Lukas, a UK-based band, for 4 years. Chris also played briefly with User-friendly, a New York punk band, but it did not suit his musical preferences. After searching Craigslist, he found exactly what he was looking for. When he first played with Bellow, he instinctively knew it was where he should be, and Rob & Adil welcomed him with open arms and french kisses.

Last came Andrew, from NYU who met Bellow on Craigslist and joined in July 2007. Originally from Portland, Oregon, Andrew wanted to expand on the new musical influences he discovered in NYC and found the perfect opportunity with Bellow. When he’s not rockin’ out with Bellow, he continues to do some freelance work throughout the city.
We hope our songs resonate in you.


Chris Fuller

Chris Fuller's music covers a wide section of the Americana map, touching upon folk, blues, jazz, rock, country and Hawaiian.  His songs blend emotional melodies with literate storytelling, touching the mind, heart, and gut.  Chris performs live regularly in the New York City area in a variety of venues ranging from nightclubs to libraries.  He has been selected as an Artist in Residence by the Lower Manhattan Cultural Council and in 2007 he released the album Sangamon.  He lives in New York City with his wife and daughter and writes a new song every week. 



Thursday, April 8, 2010

Poets Rock Gallery RIVAA, 8pm, Friday, April 9th, New York City

Mike Marcellino releases his first album, "Notebook Writer," at Poets Rock Gallery RIVAA, 8pm, Friday, April 9th at Gallery RIVAA, 527 Main Street, Roosevelt Island, New York City.  Performing with Mike at the poetry and music show are Gil Fagiani, New York City poet and co-host of the open reading of the Italian American Writers Association, the longest standing poetry series at Cornelia Street Cafe, marking its 20th year in 2011.  New York singer songwriters performing are Stacy Rock, accompanied by musician Randall Leddy, and Chris Fuller.

While the show is free, donations are welcome to Gallery RIVAA.  Refreshments follow the show.  Take the F Train to Roosevelt Island.

Saturday, March 13, 2010

Alphabet Coffeehouse, a new song



















"It's wonderful! Thank you for telling me about it! It reminds me very much of the East Village and that day."

– Rebecca Turner, New Jersey singer songwriter, after listening to Alphabet Coffeehouse.


Alphabet Coffeehouse

Lyrics and vocal 
by Mike Marcellino
Music by Tomas Texino


Alphabet Coffeehouse,
“Where can it be?”
Wandering streets,
A to Z
the East Side,
New York City
aimlessly,
late afternoon, after a show.
Red, white and blue
chipped, cracked lettered
no name circle concrete park,
bed of violet flowers
in the middle,
back lit
crimson eyed Susan’s
no name circle concrete park.

Alphabet Coffeehouse,
“Where can it be?”
sundown of existence,
A to Z
the East Side,
New York City,
10th and C.
Only a clue,
whisper,
unknown friend, fellow traveler
searchin’ for the
Alphabet Coffeehouse
9th and C,
‘round the corner from Banjo Jim’s.

“It’s nothing,” the young man replied,
aimlessly.
“Everything is nothing here,” he said again,
“nothing” about
Alphabet Coffeehouse
“Where can it be?”
A to Z,
red, white and blue
no name circle concrete park,
flag pole,
no colors up.

“Everything is nothing here,”
echoed across
the East Side,
New York City’s
middle a projects
brick, white window sills
houses of thirteen stories.

Jump rope,
rapping voices,
rollerblades,
bikes
black and brown
German Sheppard
walkin'
over a freeway
crooked overpass -
bottom of 10th,
East River Park.
Softball diamonds,
a dog like Sally with her master,
cars speeding, either way.

Banjo Jim’s open.
“Listen,”
the LA country girl sings,
Rebecca Turner,
no cover.


Alphabet Coffeehouse, copyright by Mike Marcellino 2009


Photos of Banjo Jim's in East Village, New York City from www.banjojims.com and Rebecca Turner, singer songwriter, from her bio on www.rebeccaturner.net




Sample band press kitsQuantcast


Tuesday, March 2, 2010

The Freewheelin' Bob Dylan


i think that was Dylan
by Mike Marcellino

You could say I grew up with Bob Dylan, and the likes of Joan Baez, Carolyn Hester, Hamilton Camp, Buddy Holly and the Beach Boys.  Though I've owned more than a dozen of his albums, the ones that most influenced me in music, my own writing and political and social views were his first three - Bob Dylan (1962), The Freewheelin Bob Dylan (1964) and The Times They Are A-Changin' (1964) and John Wesley Harding (1967).


While I have not yet recorded "i think that was Dylan" you're invited to listen to my collection of 9 new lyrical poetry song recordings.  Some folks have compared my music to Dylan, though I don't sing, i talk, but then Dylan hardly does either.
Just click on this link to our Facebook music page where you may listen free, share our songs and "like" us. (or you may listen on the music player at the top of this blog)



It's hard to recall when I first listened to the folk songs of Robert Allen Zimmerman, raised in Hibbing, Minnesota, near the Mesabi Iron Range west of Lake Superior.  He was the grandson of Ukrainian and Lithuanian Jews, who escaped antisemitism in the early 1900s.

I've found very few albums in which I liked every song - Freewheelin' was such an album.  I liked Corina, Corina most and would listen to it over and over.  The times from 1963 to 1967 in Dylan's half century music career were turbulent. I listened to Dylan around the time of the assassination of President John F. Kennedy, though time stood still as we sat glued to the television in a fraternity house on the campus of Wake Forest College in Winston-Salem, North Carolina.  I listen in my hooch at a base camp at the tip of the Viet Cong Iron Triangle stronghold northwest of Saigon in the Vietnam War.

Over the Dylan years, I've seen him in concert twice, the first probably the most memorable.  It was November 12, 1965 at Music Hall in Cleveland, Ohio.  Six weeks later, the day after New Year's I would leave on a train filled with Army recruits on the way to basic training at Fort Knox, Kentucky.

Our seats were red velvet, right in the middle, not far from the front, perfect seats.  I was with a very pretty blond,  Cindy.  I was in love with her and her sister, Gretchen.  Wonderful girls, Swedish.  Dylan played alone, with his guitar and harmonica, the first half of the concert.  It couldn't have been better.  He came on electric in the second half.  You could hear a pin drop.  Everyone was in shock.  He had earlier been booed off the stage after three songs when he went electric at the Newport Folk Festival. I though it was cool.  Still do, even though I was raised on the acoustic poet.

The second time I saw Dylan was at the concert for the opening celebration for the Rock and Roll Hall of Fame and Museum on June 7, 1993.  He had lost most of his voice and Dylan and the night were both electric - romping around Cleveland Municipal Stadium with my ex-wife (who looked like a female version of Dylan) and our three children with nearly 80,000 screaming rock fans.  As I was on duty as an aide to the mayor, I had a seat in the sixth row for the ribbon cutting of the stunning building designed by I. M. Pei.  The spot lit structure's reflection on the waters of Lake Erie at night is still a sight.  Yoko Ono was there alone at the party after the ribbon cutting, John Lennon had been shot and killed December 8, 1980.

 "Search and Destroy" photo by Mike Marcellino, TET Offensive, Vietnam War, 1968.  After I was turned away from my request to meet with Dylan, I left a print of this photo at a studio in Cleveland where Dylan was recording or hanging out. Naturally, I did not get a thank you.


While Dylan was in Cleveland, I did try to meet with the icon, bringing some of my favorite photographs taken in the Vietnam War where I served as a combat correspondent and photojournalist.  I got as far as inside the door of the recording studio he was at in an eastern suburb, but no further.  I left Dylan this signed black and white photography of Army artillery forward observers with the 33rd Vietnamese Rangers on a search and destroy mission in the rice paddies.


Last year I got to thinkin' about the cover of the album The Freewheelin' Bob Dylan wrote a song about some crazy days I had spent roamin' the streets of New York City and wrote a song about those times.  Today on Gothamist.com I learned the story behind the cover art.  Bob Dylan wanted to recreate a photo of James Dean (see the link to Gothamist story) for the cover of "Freewheelin'" released May 23 1963.

  
Here's my version of the story in a poetry song I've performed.  The song was covered by Chicago folk singer Justin Boerema as we shared the stage at Spike Hill in Brooklyn. Justin was back lit in silhouette, wearing a Fedora, playing guitar and harmonica, real Dylanesque.  I hope to record the poetry song soon, perhaps on my trip to New York City in April.  I will be performing the song though and together we return  to The Freewheelin' Bob Dylan. 



i think that was Dylan
by Mike Marcellino

i think that was Dylan,
walkin down Jones Street
girl in his arm
right in the middle of the slushy road,
right pretty too,
comin right at me,
so i ducked
down into the
alley
found sally
and wrote this piece.

"i didn't see you there,"
 - went something like that

i think that was Dylan
walkin down Jones Street
trouble was the cold,
blinded me,
so i parked my car,
a cutlass i believe,
recklessly
at the first illegal spot i could find
went up to the bar
"Irish whiskey,"
i said that,
it must ta been in '65
i think that was Dylan
walkin down Jones Street,
go ask Sally.

i think that was Dylan copyright by Mike Marcellino 2009